首页 | 本学科首页   官方微博 | 高级检索  
文章检索
  按 检索   检索词:      
出版年份:   被引次数:   他引次数: 提示:输入*表示无穷大
  收费全文   4316篇
  免费   232篇
  国内免费   53篇
管理学   35篇
民族学   41篇
人才学   1篇
人口学   14篇
丛书文集   601篇
理论方法论   228篇
综合类   3532篇
社会学   145篇
统计学   4篇
  2024年   2篇
  2023年   32篇
  2022年   22篇
  2021年   31篇
  2020年   52篇
  2019年   49篇
  2018年   46篇
  2017年   44篇
  2016年   56篇
  2015年   93篇
  2014年   244篇
  2013年   223篇
  2012年   312篇
  2011年   326篇
  2010年   280篇
  2009年   272篇
  2008年   257篇
  2007年   325篇
  2006年   366篇
  2005年   336篇
  2004年   327篇
  2003年   289篇
  2002年   237篇
  2001年   205篇
  2000年   115篇
  1999年   21篇
  1998年   11篇
  1997年   6篇
  1996年   5篇
  1995年   4篇
  1994年   2篇
  1993年   8篇
  1992年   2篇
  1986年   1篇
排序方式: 共有4601条查询结果,搜索用时 31 毫秒
1.
中古道教仙传中,"食桃修仙"母题的产生有其相应的时代背景和文化背景。在探究该母题产生的基础上,从内外两方面分析了"桃"被仙化的多重原因。就外因而言,桃被仙化与神仙信仰的广泛流传有关。就内因而言,桃被仙化与桃特殊丰富的文化内涵紧密相连。进而以"食王母桃"这一母题为中心梳理"食桃修仙"母题的流变。该母题的流变与桃被赋予的神效和异形密切相关,由此导致"食桃修仙"母题呈现出神异浪漫的美学风格。  相似文献   
2.
《瓦尔登湖》(Walden)是亨利·大卫·梭罗(Henry David Thoreau)经典文学作品,已经成为美国文学宝库中的经典之作。中国译者徐迟首先将其译入国内,译名为《瓦尔登湖》。此后不断出现译者和译本,《瓦尔登湖》一度重译,频繁出版。进入21世纪以来,我国出现了重译《瓦尔登湖》的热潮,这也引起了学术界和翻译界对《瓦尔登湖》汉译本的关注。通过将徐迟译本作为研究对象,从翻译美学新视角切入,对《瓦尔登湖》译文之美进行解构,分析其中作为变量的美学因子,以期为研究《瓦尔登湖》做出一点贡献。  相似文献   
3.
哲学视角是孙郁的鲁迅研究中起步早、且一以贯之的一个方向,他独创性地将鲁迅与康德进行比较,认为在强调认识的有限性这一点上,二人不乏相似性。孙郁强调怀疑意识作为鲁迅思想的“内核”,并指出其在文化史上的意义。他以“主体性”思想为参照,对鲁迅思想和作品进行了深度解读,进而指出传统的“主奴文化”是形成“相互主体性”思想的障碍。概而言之,孙郁对于哲学视角的运用,并非纯粹的知识生产,具有鲜活的生命力和学术价值。   相似文献   
4.
The absence of violence against children is a fundamental children's right and a major milestone of civilized society. Similarly, reports on incidences of violence by children and youth, including severe cases with devastating consequences, speak to the need that the trauma of exposure to violence in childhood needs to be addressed. While violence and its risk factors are generally understood, what is less clear are the essential protective factors, how we can identify those as early as possible, and how we can use them to prevent and address the trauma of violence exposure in children and youth. In this report, I review pathways of child and youth violence through the lens of social-emotional development as a central protective factor. Negative emotions of frustration and anger can underlie violence and aggression. Kind emotions, such as caring and our ability to connect with others emotionally, can serve as social-emotional protective factors. A brief review of the central social-emotional processes and their development is provided, including the human capacity to feel with others and express empathy, be emotionally aware and care about the effects of one's own actions on others, and be able to regulate the self and their emotions. Given the negative widespread and long-term impact of exposure to violence, I describe research-informed attempts to prevent violence exposure across development. Taking a humanistic, strength-based perspective, the focus is on social-emotional protective factors to address violence and nurture mental health in every child. I conclude with recommendations for practice and policy.  相似文献   
5.
This article is based on a participatory, context-informed study that examined perception of ‘risk’ and ‘protection’ among 30 Bedouin children aged four to five. It was conducted in the Bedouin unrecognised villages — Southern Israel and utilised photography, drawings and verbal explanations. The analysis yielded seven themes representing children’s perceptions of risk and protection. It indicated that children facing extreme adversity were aware of numerous risk conditions, including a lack of infrastructure and the fear of losing their homes, thus adversely affecting their well-being. Children’s insights, and suggested modes of protection, as the study findings reveal, are crucial for promoting children’s welfare.  相似文献   
6.
邢崇 《民族学刊》2020,11(4):52-58, 129-130
传统藏戏将教化性和审美性融合统一,形成了具有无限延展的审美空间,被藏民族一代代接受和传承。传统藏戏的多种元素彼此之间相互对抗、冲突和矛盾,形成具有张力的审美空间和强大的审美冲击力,使接受者产生共鸣,在艺术的审美中获得精神的洗礼。在传统藏戏中,主客体巨大反差产生崇高美,体现出藏民不屈的超越精神,以及克服和战胜恐惧后的心灵慰藉和平静;传统藏戏采用佛教逻辑叙述故事,集中体现藏民的人生姿态和精神信仰以及对于真善美的认知和追求,凸显世俗的人性美;藏戏以美的艺术形式和程序化的艺术表演再现普通大众的味与情,形成独具特色的审美情感和审美趣味,最终达到宗教教化的目的;藏戏中戏师的理性讲述与演员的感性表演形成对照,让受众游走于理性与感性之间,对于人物与情节有了更加深刻的感性认知和理性反思;藏戏重复与回环的情节设置使故事情节发展更曲折,人物形象更丰满,主题思想更鲜明,形成了复调之美。  相似文献   
7.
《Social Development》2018,27(1):58-72
The goal of the current study was to examine two competing models focusing on the roles of empathy‐related traits in the relation between economic stress and prosocial behaviors. First, we examined the mediating roles of perspective taking and empathic concern in the association between economic stress and adolescents’ prosocial behaviors. Second, we examined the moderating role of perspective taking in the association between economic stress and empathic concern, as well as the links between empathic concern and prosocial behaviors. Participants consisted of 307 (46.2% girls; M age = 15.05) U.S. Latino adolescents (77.5% U.S. Mexicans) and their primary caregivers (87.9% mothers). Primary caregivers reported on family‐level economic stress, and adolescents reported on their own perspective taking, empathic concern, and their tendency to engage in six forms of prosocial behaviors. Results demonstrated support for the moderating role of perspective taking on the link between economic stress and empathic concern, which in turn, was associated with multiple forms of helping behaviors. Economic stress was also directly associated with selfless and selfish helping behaviors. The discussion focuses on the multiple roles of empathic traits in understanding the links between economic stress and prosocial outcomes in U.S. Latino youth.  相似文献   
8.
“边地影像”是边疆少数民族民众纪录自身的非虚构创作。在朗西埃“可感性的分配”美学理论视野下,边地影像体现了题材选择的一视同仁和人性的解放,以平等维度的引入开拓了其艺术与政治价值。透过“自我他者化”的艺术操作,它改变边地的可感性的分配秩序。“客位视角”到“主位视角”和“参与拍摄”到“独立创作”的过渡所释放的乡野表达,成为评测其诗学力量的关键质素。同时,围绕“差异性”展开的影像再现常常导向“微小差异的自恋”,并在言语的过度中营造了某种“圣化构想”,进而使其差异政治悖论性地生成了新的可感性不平等。  相似文献   
9.
ABSTRACT

This paper engages with the study of the aesthetic as an embodied form and offers a critique of the study of value and commodification that emerges in the global spatial imagination. I explore the neglected interrelationship between cultural-spatial reconstruction and land ownership as a sign of livelihood by way of a critique of development and through an investigation of the multiple traces of colonialism in Indonesia in contemporary times, after the massacres. First, land is taken from communities to be used for state and corporate industrialization, and then aesthetic acts of resistance and remembrance by members of these communities, via artistic productions and protest, are commoditized as touristic attractions by the state as a form of nationalism and fetishism of the indigenous, and by corporations as a form of corporate cultural responsibility. This new method of capitalist inclusion of the survivor in a globalized project of aestheticizing space is a neoliberal tactic in which the commoditized reappearance of the aesthetic creations of the marginalized is not, in fact, a sign of inclusion but rather of further displacement. My study follows the focus of this special issue to analyse cultural production within the complexity of multiple and converging colonial forms in historical and contemporary contexts considering the relationality, contradictions and incommensurabilities generated within converging structures of colonial and racialized violence. I locate the ways in which artistic projects within this schema may be used as acts of resistance but also possibly co-optation/ domination. Aesthetic creations intended as means of archiving may also bring insurrections into the paradigm of globalization and to its attention. This paper is an attempt to look at how the creative urge negates and also creates the possibility of resistance, inviting us to urgently rethink aesthetic projects and their representation through a genealogy of global participation.  相似文献   
10.
In the current research, we aimed to identify the reasons that could drive people to get a divorce. In Study 1, we employed qualitative research methods, and we identified 62 reasons that could potentially drive people to get a divorce. Using quantitative research methods, in Study 2 we classified these reasons into 7 broader factors. We found that being a harmful spouse was the most important factor for divorce, followed by incompatibility and in-law problems. We also found significant sex differences in several factors such as women indicating a higher willingness than men to divorce a harmful spouse. In addition, participants with children were less willing to divorce a harmful spouse than those who had no children. Finally, using second-order principal components analysis, we classified the 7 factors into 2 broader domains of reasons for getting a divorce.  相似文献   
设为首页 | 免责声明 | 关于勤云 | 加入收藏

Copyright©北京勤云科技发展有限公司  京ICP备09084417号